I drew upon t1211 and Moetron's translations to come up with this transliteration. This is the most I can do, because my voice is not suited to Miku or Gumi's ranges in this song. Let me know if you use it and spread it around! : ) Let's all pray for Japan!
Is my prayer really reaching to you?
Does it reach where you are at?
If this voice of mine cannot reach you,
I will still continue to pray for you.
In this deep mystery of unknown darkness
You stopped a bit to adjust your eyes
Is the anxiety keeping you from sleeping?
Were you crying silently because of your fear?
All of the students that always act so stoic
It seems like all of that's come to an end
140 words of the prayer I'm praying
I will softly devote them to you
My voice cannot reach where you are at
My hand cannot reach to you either
Therefore I will offer up this brief prayer
To the skies
To the stars
To God
And to you
I'll pray up to the skies
Up to the stars, way up above
I'll offer a prayer to God too
Just so long, as it reaches you
You are never really alone
Everyone is actually connected
We just cannot see it
Therefore let's all face forward right now!
I'll pray up to the skies
Up to the stars, way up above
I'll offer a prayer to God too
Just so long, as it reaches you
I'll pray up to the skies
Up to the stars, way up above
I'll offer a prayer to God too...
Sunday, March 27, 2011
Sunday, March 20, 2011
Mid-Season Review
Before I start off, it would be callous of me not to address the current situation in Japan. Every night I pray for those I know, and I pray for those I don’t. It goes beyond the stereotypical American Otaku, wanting a singular industry to survive. I want the people to survive, and I want the country to survive. I have been following what has been happening through someone’s first-hand account, news from ANN (animenewsnetwork.com), the BBC, and the New York Times. One of the best donation efforts I’ve seen has been Crunchyroll (crunchyroll.com) as they match every donation dollar for dollar. Something else to note is the need for food and other supplies, especially blood for the injured. There’s a cultural stigma against donating blood in Japan, so for the American Red Cross to be continuing to supply it is fantastic. If there was a donation in my area, you can bet I would be all over it (being the universal type that I am).
With all that said, let’s take a look at the same shows I reviewed earlier on this season. Some shows started later, so they are four episodes away. Other’s are two away. Either way, I admire the hard working members of the industry for continuing onwards with all the devastation going on around them. Some shows I have changed some of my opinion on, but I am not going to reiterate upon what was said before.
Mahou Shoujo Madoka Magica
Wow. Just wow. Mahou Shoujo Madoka Magica has taken quite a turn and it is in the best direction possible. One of the things I pointed out at the beginning of the season is that there was a wandering plotline, and that has certainly been solved by the eighth and ninth episodes. However, the references have gotten more and more complicated. Madoka has easily become my favorite show this season, especially with its twists and ideology. There is a definite tribute to the mech work Bokurano later on.
+ Soundtrack
+ Animation
+ Overall Plot
- WARNING! EXISTENTIAL CONTENT!
- References not everyone may understand
- Potentially annoying protagonist
Fractale
Fractale has kept very much the same lighthearted feeling as before, which is good as it starts to handle heavier material later on. While the material is not as heavy as that covered in Madoka, it still brings up a good deal of questions. They aren’t new questions, as it is something asked in almost every work at some point in time, but they are good questions. If anything, Fractale has kept me coming back to learn more about the vivid world that is depicted and to look more closely at some of the character interactions as they grow more and more intertwined. Fractale is streaming on Funimation.
+Soundtrack
+Character Design
+Plot
- Common Theme
-Menagerie of Characters
- Occasionally overuse jokes
Wandering Son (Hourou Musuko)
The art style continues to blow me away every time I watch this show. It’s soft and matches the slow plot. Of course, by now I’m still not sure what the plot is. There is still the attempt to grasp one’s identity, and it is pulled off incredibly well. Almost too well. Wandering Son has become, essentially, an afterschool special. Anyone who is used to the push for shonen style action understands why this is so baffling, and enjoyable, about this. Even with all the faults it starts to pick up in later episodes (it started much later than the others, so it’s only on its seventh or eighth episode and is only picking up its stride. There’s actually quite a lot fit into the half hour episodes, which is what makes it so difficult to pinpoint just how it is going to end. Wandering Son is now streaming on CrunchyRoll.
+Art Style
+Voice Acting
+Slice of Life
- Plot not to everyone’s liking
-Forgettable score
-Confusing character relationships
Gosick
Gosick has certainly developed out of its standard detective plot. By now there is quite a bit happening and a nice overarching story line. AT times they have even brought for the question of whether or not one of the main characters even exists. There are certainly a good deal of delightful lplot twists that have occurred since the beginning and seem to be heading towards the same stunning conclusion Otome Youkai Zakuro had. Gosick is currently streaming on CrunchyRoll.
+Art Style
+Ghost Story/Fairy Tale References
+Sherlock Holme's homages
-Almost uncanny plot twists
-How did they do it?! moments
-The same references start to be used over and over again
Yumekui Merry (Dream Eater Merry)
Yumekui has gained it’s plot and my what a plot it is. Sometimes I wonder how they are going to fit it all into twelve episodes and they throw out an amazing twist halfway through the episode to ensure it happens. Of course, it does have an entire episode dedicated to exposition where the kittens go fan service, but what anime doesn’t (probably Evangelion). Here’s to an exciting conclusion!
+Story Line
+Plot raises decent questions
+Character Design
-Soundtrack
-Long Plot Development
-Shinji syndrome
Koreha Zombie Des Ka?
Same silliness, same problems as before. While Zombie has picked up the big bad of the series, it does not seem to be doing much with it. It continues to take itself lightly without apology, and even when a major event happens it’s not quite as heart wrenching as it could be. Koreha Zombie Des Ka? is now being streamed on CrunchyRoll.
+Silliness
+Creative Villain
+Character design
-Silliness
-Long Plot Development
-No clear conclusion
Thursday, March 10, 2011
Princess Tutu Review Part I
There are a lot of good series that get overlooked in the anime world, often resurging at random times into massive fandoms. Last summer I made my way through one such anime, entitled Princess Tutu. The series director is Shougo Kawamoto, by now probably best remembered for his work on Yu-Gi-Oh! 5D’s and Escaflowne. However, leading up the full series is Junichi Sato, which makes all too much sense.
Sato also worked on Cowboy Bebop at one point. He must really enjoy throwing these protagonists out windows.
While I have not watched Kaleido Star yet, I do eventually plan on doing so, even more now that Sato, the lead director of Tutu and Sailor Moon is on board. If you are not sold on the series yet, fret not, there is still a world that awaits you. I am not going to hold back on spoilers, and will presume the reader has some knowledge about the show. However, if you are trying to avoid them and still reading this I would avoid the section on characters and the last paragraphs of plot. That said, let’s take a dive into Princess Tutu starting with something I always feel is important to any anime: music.
MUSIC
Overall
Originally I was going to dedicate this section to the way the episode titles interact with the show. I still am, there is just one thing to get out of the way that honestly stunned me. The musical director of he series is one well respected among the RPG video game community: Kaoru Wada. Yes, this is the same Kaoru Wada who has been in charge of Kingdom Heart’s music direction (more notably the opening orchestrations) and Inuyasha’s musical direction as well. With that out of the way I want to look at something unique to this anime (I can’t say I’ve watched any other’s that utilize this). Each episode has a particular subtitle, so while the first season is known as Chapter of the Egg the episode title may be something like The Wedding Waltz or Swan Lake. Even watching episode 12 the suite Scheherazade appears early on in the episode, something that appears early on as a title. Even after it is played though, there is another suite that joins in. I’m not nearly familiar enough with ballets to identify some of these songs or when it is just Kaoru Wada’s touch to the series. This is perhaps a sign of a great composer. It might seem a little strange to have so much ballet music within it, but keep in mind that this is an entire show about ballet. What’s more, the show is designed with the idea that the whole world is a book, or a stage. It is almost necessary for the show to have such a strong classical influence, and what’s more the show does a brilliant job of picking the right suite for the right episode. Episode 13, Swan Lake carries most of this classical ballet and manages to make even the most elegant of music into a battle scene. So while not an entirely original score, the music of Tutu is one to be greatly desired: incorporated wonderfully and without shame.
Opening/Ending
Another interesting fact about Tutu is that it not only keeps it’s same opening and ending sequence without change, but also the same songs. I don’t know much about Ritsuko Okazaki aside from her work on Tutu, but from what I’ve pulled up across the internet is that it was one of her final works and she released one single afterwards. What’s more disheartening is that she died young. The opening is one of the better ones, and very fitting for a show like Tutu. It is almost impossible not to relax when listening to Morning Grace, and even harder to avoid conjuring up images of ballet. One of the cooler parts occurs right before the show starts when Okazaki brilliantly incorporates part of Swan Lake. When I first sat down to watch the series this wowed me and made me a little hesitant to continue on: was this just going to be a retelling of Swan Lake? Had Wikipedia (as it often does) lied to me? To this day I’m still not entirely certain if it did, but I am glad I continued on afterwards. With such a wonderful opening though, the ending, Watashi No Ai Wa Chiisaikeredo, becomes a little disappointing. It invokes the same soft feeling of a gentle lullaby and after an especially action filled episode takes out some of the drama, winding it all the way down. If I had to pick one to change I would choose the ending, even though it has its own calming merits.
ART STYLE AND ANIMATION
If I were to compile a list of difficult actions to animate, ballet would certainly be up there. For those who have ever fenced, you know that the entire sport was designed to make the body do things it was not meant to (this may be discussed later in a review of Revolutionary Girl Utena). Ballet is fencing taken one step farther: the French grew bored with making the body fight and decided to have it do even more difficult things. Thus, we have ballet. So for an anime to pull off animating something as difficult as ballet there has to be a lot of work put into it, and it certainly shows that there was. It is not hard to imagine an actual ballet dancer pulling off some of the brilliantly illustrated scenes. Unfortunately, this means some battle scenes are a little lacking, especially when Fakir or Muto (Mythos) is involved. There is a definite shift in the style of animation, and sometimes even the coloring. It’s not often notable, but when it does happen and is picked up on it can be a little annoying. This is probably more on the key animators, but let’s take a look at our animation director.
I don’t usually pay too much attention to the character design and animation director. Well, I do, but I don’t often notice if they match up. In this case Ito Ikuko is not only the original creator, but also the chief animation director and in charge of character design. He also worked on Sailor Moon, which shows in some of the character’s facial expressions. For the most part their quite smooth, but they can get silly. This is especially true with Drosselmeyer, who always seems a bit out of place with the other characters. This is probably done on purpose, as he stands outside of the plot itself.
Overall Tutu does not have the smoothest animation by today’s standards. Compared to other releases of its time (2002), it’s still not that sharp. If you keep in mind the fact the release time is well before the advent of full digital media, then the idea of quality improves somewhat. Even so, the slight grain in the animation and coloring is reminiscent of the eighties and nineties. In the end, what it gains for animating difficult scenes (and even mild use of CG for gears), the quality is still not quite there.
SEE PART II FOR PLOT AND CHARACTERS
Princess Tutu is now airing on Hulu.
Tuesday, March 1, 2011
Upcoming Reviews
Been really busy lately, but luckily a break is coming up so I should have time to do a proper review. Look forward to the following shows to be coming in the following months. It's a little difficult to do these reviews as it requires watching the entire series, taking notes, and then doing a write up. Sometimes I have to watch it twice if I have not seen it before (once for enjoyment, once for academia):
Anime
Princess Tutu
Wolf's Rain
Full Metal Alchemist (The original run, not Brotherhood)
Summer Wars
Manga
Bokurano
Claymore [Vol 1-4]
Shutterbox
Anime
Princess Tutu
Wolf's Rain
Full Metal Alchemist (The original run, not Brotherhood)
Summer Wars
Manga
Bokurano
Claymore [Vol 1-4]
Shutterbox
Thursday, February 17, 2011
Megurine Luka's "Fragile System: Boys and Girls"
I looked at a couple different translations for this song, neither of which I felt completely captured the rhythm of the song in English. Here's a transliterated version based on Tatenia and animeyay's translations of the song. Please let me know if you decide to use them, because I know I will be.
Transliteration
Transliteration
One more time
Why are standing there crouched like that?
Is your mother coming to save you now?
Your head is a carousel of melancholy
You show no sign of leaving silently
Crying and screaming in blurred reality
Really wanting to see you is beside the fact
“It’s for adults to handle” is falsely said
Self destruction happens after acting cool
It’s not really clear how many times I’ve really perished
Serving up perseverance you disguise
A gentle sense of false kindness
Take that bored attitude and tear down everything
One more time, one more time
If I could just see you…
One more time, one more time,
Please hit the reset button
One more time, one more time,
What are the words I truly want to say?
One more time, one more time…
What’re are you doing still standing still?
Did someone stand you up and leave you there?
Put on a sad face and dance through the night silently!
You show no sign of dying quietly
But you cut your wrist in blurred reality
Really, who are you trying to care about now?
“I’m single” is said in a bitter tone
Actually there’s someone looking for you
Even if you leave me, I always find you running back
When your heart turns into something else,
Twisted into hidden ugliness
No matter the foolishness it’s time to burn down everything
One more time, one more time
If I could just see you…
One more time, one more time
Please hit the reset button
One more time, one more time,
What are the words I truly want to say?
One more time, one more time…
One more time
Why are standing there crouched like that?
Is your mother coming to save you now?
Your head is a carousel of melancholy
You show no sign of leaving silently
Crying and screaming in blurred reality
Really wanting to see you is beside the fact
“It’s for adults to handle” is falsely said
Self destruction happens after acting cool
It’s not really clear how many times I’ve really perished
Serving up perseverance you disguise
A gentle sense of false kindness
Take that bored attitude and tear down everything
One more time, one more time
If I could just see you…
One more time, one more time,
Please hit the reset button
One more time, one more time,
What are the words I truly want to say?
One more time, one more time…
What’re are you doing still standing still?
Did someone stand you up and leave you there?
Put on a sad face and dance through the night silently!
You show no sign of dying quietly
But you cut your wrist in blurred reality
Really, who are you trying to care about now?
“I’m single” is said in a bitter tone
Actually there’s someone looking for you
Even if you leave me, I always find you running back
When your heart turns into something else,
Twisted into hidden ugliness
No matter the foolishness it’s time to burn down everything
One more time, one more time
If I could just see you…
One more time, one more time
Please hit the reset button
One more time, one more time,
What are the words I truly want to say?
One more time, one more time…
One more time
Tuesday, February 15, 2011
Winter Anime
I've been watching quite a bit of anime this winter season, and there are a few I am especially impressed by. So let's take a look at the merits and ...dismerits? of some of this season. I'm not going to cover any plot points, because there are other sites to do that. This list will include what I feel is the best and work it's way down. From what I can tell Bakuman started back in the Fall season, so while I enjoy it, it will not be appearing on this list. Keep in mind that these are my opinions, and all fans have a different genre they include.
Mahou Shoujo Madoka Magica
This is perhaps my favorite of the season. It offers a good plot line, references to several mythological keypoints, and a wonderful score. I'm going to hold off on analyzing this one until it's been completed to avoid putting my foot in my mouth later on down the line. One of the big reasons this is so visually and mentally appealing is perhaps the directors, Yukihiro Miyamoto and Akiyuki Shinbo, who previously worked on Bakemonogatari. Fans of this series should definitely give it a watch. The soundtrack by Yuji Kajiura, best known for her work on the .hack series, is perhaps one of the best of the series. It never makes itself too blatantly obvious, but is also ever present and providing the perfect mood.
+ Soundtrack
+ Animation
+ Visual Direction
- Wandering Plotline
- References not everyone may understand
- Potentially annoying protagonist
Fractale
Again, another series with a pretty fantastic director, this time featuring The Melancholy of Haruhi Suzimiya's director Yutaka Yamamoto. As can be expected, there are some strange plot points that seemingly come out of nowhere, and for now I will say they'll probably be connected in the future. There's also a serene sense to the animation, trippy intro aside. Again, the soundtrack is especially nice, including the ever present insert song. This is especially impressive as it is Souhei Kano's first time out in the field. If anything take a look at this series for the mind boggling future scenario that is presented. Fractale is now streaming through Funimation.
+Soundtrack
+Character Design
+Plot
-Unanswered Questions [thus far]
-Menagerie of Characters
-Bathroom stalkers
Wandering Son (Hourou Musuko)
I'm not entirely familiar with this director, but I am certainly pleased with Ei Aoki's most recent work (I think the only thing he's been involved with that I know about is Petite Princess Yucie). I am, however, a big fan of this anime so far. I will give fair warning that his anime may not be to everyone's liking, since it is about two transgendered individuals. That aside, I think the best reaction I can give to this show is that it is like walking through a water color painting. As far as soundtrack goes, I haven't really noticed it, if it is present it is very ambient. This is a bit surprising as Haruhi and Bakemonogatari composer Satoru Kousaki, then again he pulls off the subtleness in his other works as well. Personally I enjoy it for its lightness. It's relaxing enough to watch at anime time and is a good wind down to the day. Wandering Son is now streaming on CrunchyRoll.
+Art Style
+Voice Acting
+Ending Theme
-Plot not to everyone's liking
-Potential underage relationships
-Forgettable score
Gosick
I'm not entirely familiar with this director either, but he seems to be a big fan of double entendre's. When ghost stories or fairy tales are involved, expect it to mean something entirely different. One thing to look forward to is the mystery in each episode, one that has a tendency to be a little bit harder to solve than some on Detective Conan. As of right now, there does not seem to be a larger plot present, much like how Otome Youkai Zakuro started, so it will be interesting to see where it goes. It's a little strange to see an anime in a fictional foreign country before World War II that isn't as happy go lucky as Hetalia. Gosick is currently streaming on CrunchyRoll.
+Art Style
+Ghost Story/Fairy Tale References
+Sherlock Holme's homages
-Unpredictable Storyline [there doesn't seem to be a main purpose]
-Standard Lolita clothing
-Good episodes on occasion, don't expect them all to be hits
Yumekui Merry (Dream Eater Merry)
Place your Inception references here while you can, because they'll be abound in this anime. At first I was not certain whether or not this was going to be a particularly good show given the first two episodes were a little slow. By the third, however, it seems to have hit its stride and found a purpose. Interestingly enough, this is not a project one would expect to find Shigeyasu Yamauchi. Then again, maybe it is given all the dream talk we had in Cowboy Bebop: Knocking on Heaven's Door. If your willing to sit through the first two episodes to establish some back story, then overall it's a pretty decent series. It ranks lower only because I'm not a big fan of the music, something explained by the fact that it is Keichii Oku composing (previous works include the unmentionable season of Digimon). Here's to hoping it continues it's trend upward throughout the season.
+Story Line
+Nightmare Kittens
+Character Design
-Soundtrack
-Long Plot Development
-Potential plot devices
Koreha Zombie Des Ka?
The sheer silliness of this anime is what makes me like it and hate it at the same time. Like most anime of its kind it does finally establish a plot, but much later than Yumekui does. The big bad is not revealed until episode six, and by then all the characters are fairly fleshed out, and there may have even been an episode of filler. The original idea of a zombie's one weakness being sunlight is pretty novel and amusing given how few times it is actually brought up. Given that there are still some characters to be revealed given the intro and ending sequences, it's going to be interesting to see where the series goes in the next few episodes. Koreha Zombie Des Ka? is now being streamed on CrunchyRoll.
+Silliness
+Magical Girl transforming sequences undergone by males
+Character design
-Silliness
-Long Plot Development
-No clear conclusion
Mahou Shoujo Madoka Magica
This is perhaps my favorite of the season. It offers a good plot line, references to several mythological keypoints, and a wonderful score. I'm going to hold off on analyzing this one until it's been completed to avoid putting my foot in my mouth later on down the line. One of the big reasons this is so visually and mentally appealing is perhaps the directors, Yukihiro Miyamoto and Akiyuki Shinbo, who previously worked on Bakemonogatari. Fans of this series should definitely give it a watch. The soundtrack by Yuji Kajiura, best known for her work on the .hack series, is perhaps one of the best of the series. It never makes itself too blatantly obvious, but is also ever present and providing the perfect mood.
+ Soundtrack
+ Animation
+ Visual Direction
- Wandering Plotline
- References not everyone may understand
- Potentially annoying protagonist
Fractale
Again, another series with a pretty fantastic director, this time featuring The Melancholy of Haruhi Suzimiya's director Yutaka Yamamoto. As can be expected, there are some strange plot points that seemingly come out of nowhere, and for now I will say they'll probably be connected in the future. There's also a serene sense to the animation, trippy intro aside. Again, the soundtrack is especially nice, including the ever present insert song. This is especially impressive as it is Souhei Kano's first time out in the field. If anything take a look at this series for the mind boggling future scenario that is presented. Fractale is now streaming through Funimation.
+Soundtrack
+Character Design
+Plot
-Unanswered Questions [thus far]
-Menagerie of Characters
-Bathroom stalkers
Wandering Son (Hourou Musuko)
I'm not entirely familiar with this director, but I am certainly pleased with Ei Aoki's most recent work (I think the only thing he's been involved with that I know about is Petite Princess Yucie). I am, however, a big fan of this anime so far. I will give fair warning that his anime may not be to everyone's liking, since it is about two transgendered individuals. That aside, I think the best reaction I can give to this show is that it is like walking through a water color painting. As far as soundtrack goes, I haven't really noticed it, if it is present it is very ambient. This is a bit surprising as Haruhi and Bakemonogatari composer Satoru Kousaki, then again he pulls off the subtleness in his other works as well. Personally I enjoy it for its lightness. It's relaxing enough to watch at anime time and is a good wind down to the day. Wandering Son is now streaming on CrunchyRoll.
+Art Style
+Voice Acting
+Ending Theme
-Plot not to everyone's liking
-Potential underage relationships
-Forgettable score
Gosick
I'm not entirely familiar with this director either, but he seems to be a big fan of double entendre's. When ghost stories or fairy tales are involved, expect it to mean something entirely different. One thing to look forward to is the mystery in each episode, one that has a tendency to be a little bit harder to solve than some on Detective Conan. As of right now, there does not seem to be a larger plot present, much like how Otome Youkai Zakuro started, so it will be interesting to see where it goes. It's a little strange to see an anime in a fictional foreign country before World War II that isn't as happy go lucky as Hetalia. Gosick is currently streaming on CrunchyRoll.
+Art Style
+Ghost Story/Fairy Tale References
+Sherlock Holme's homages
-Unpredictable Storyline [there doesn't seem to be a main purpose]
-Standard Lolita clothing
-Good episodes on occasion, don't expect them all to be hits
Yumekui Merry (Dream Eater Merry)
Place your Inception references here while you can, because they'll be abound in this anime. At first I was not certain whether or not this was going to be a particularly good show given the first two episodes were a little slow. By the third, however, it seems to have hit its stride and found a purpose. Interestingly enough, this is not a project one would expect to find Shigeyasu Yamauchi. Then again, maybe it is given all the dream talk we had in Cowboy Bebop: Knocking on Heaven's Door. If your willing to sit through the first two episodes to establish some back story, then overall it's a pretty decent series. It ranks lower only because I'm not a big fan of the music, something explained by the fact that it is Keichii Oku composing (previous works include the unmentionable season of Digimon). Here's to hoping it continues it's trend upward throughout the season.
+Story Line
+Nightmare Kittens
+Character Design
-Soundtrack
-Long Plot Development
-Potential plot devices
Koreha Zombie Des Ka?
The sheer silliness of this anime is what makes me like it and hate it at the same time. Like most anime of its kind it does finally establish a plot, but much later than Yumekui does. The big bad is not revealed until episode six, and by then all the characters are fairly fleshed out, and there may have even been an episode of filler. The original idea of a zombie's one weakness being sunlight is pretty novel and amusing given how few times it is actually brought up. Given that there are still some characters to be revealed given the intro and ending sequences, it's going to be interesting to see where the series goes in the next few episodes. Koreha Zombie Des Ka? is now being streamed on CrunchyRoll.
+Silliness
+Magical Girl transforming sequences undergone by males
+Character design
-Silliness
-Long Plot Development
-No clear conclusion
Saturday, January 15, 2011
What this blog will do
As both a college student and an anime (japanese animation) fan, I am hoping to get my opinion out there. Do you know how much research exists about anime? The answer: Not that much.
Hopefully this blog will help serve as a resource for others looking to research both anime and manga. It will also provide some reviews with an audience suggestion. I know that we usually perceive cartoons as being kid's stuff in the United States, so hopefully this will help to dispel some of those beliefs.
Hopefully this blog will help serve as a resource for others looking to research both anime and manga. It will also provide some reviews with an audience suggestion. I know that we usually perceive cartoons as being kid's stuff in the United States, so hopefully this will help to dispel some of those beliefs.
Subscribe to:
Posts (Atom)